Twelve weddings. One studio.
We shoot the whole day.
We chase the hour.
We work in silence.
Three-day delivery.
Rehearsal to last dance.
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09:00
Getting ready.
Bride and groom suites. Dress in the window light. The morning before the morning.
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13:00
First look.
A private moment before the ceremony. No audience yet. Just the two of you and the camera.
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16:00
Ceremony.
Vows, rings, the walk. Two shooters, editorial coverage. We don't direct the moment, we read it.
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17:30
Cocktail hour.
Family portraits. The room finding itself. We work fast so you can be present.
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18:30
Golden hour.
Twenty minutes of the right light. The portraits we plan the whole day around.
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19:30
Reception & dinner.
Speeches, toasts, the first cut of cake. Candid, never posed.
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21:00
First & last dance.
The night in its own light. We stay until the floor is full and then a little longer.
Banyan Tree.
Capella Pedregal.
Esperanza Cabo.
One & Only Palmilla.
Fairmont Mayakoba.
Twelve weddings. Per year.
Begin the conversation.
Twelve weddings a year. Limited 2026 / 2027 dates. Same-business-day replies.
Message Vianey → or [email protected]
Luxury Destination Wedding
Photographer Mexico.
The studio plans the day around the light. Cancún, the Riviera Maya, Los Cabos. Editorial coverage, cinematic films, bilingual on the day, calm in the room.
A wedding day is composed, not staged.
The studio is built for the calm of a luxury resort wedding. We arrive early, learn the room, work the light, and leave the day intact. What we deliver is an editorial archive that ages well, not a busy gallery that ages out.
Golden hour, only
We build every timeline backward from sunset. Ceremony at the right hour, portraits at the right ten minutes, reception lit so it reads cinematic, not flat.
Editorial, not loud
One signature color grade across the gallery. Skin tones honest. Whites kept white. Frames you would put on the wall before you would post them.
Bilingual, always
Spanish for the resort coordinator and the family. English for the couple and the planner. Nothing is lost between the kitchen door and the aisle.
Calm, by design
The team moves like one breath. No cameras in the bride's face. No competing for angles with the videographer. The photo team is part of the ceremony, never the show.

A wedding is a day. The photographs are the rest of your life.
Vianey Díaz.
Every wedding is shot the way I would shoot my own. One signature tone across the gallery, one director on the day, one studio answering email from the first inquiry to the final archive. The standard does not change between forty guests and three days.
We do not write packages. We write briefs.
Each archive is delivered in a hand-numbered linen box — proof prints, a USB, and a lay-flat album bound at a press in Mexico City.
— Vianey Díaz, Director
Four weddings, four rooms.

Sixty guests, three languages, one east-facing cove. The breeze came in just hard enough to lift the veil and not enough to lift the sand. Ceremony at five. The light held.

A first look the morning of, before anyone else had touched the dress. The bride asked for sand still cool from the night. We walked north for an hour and found the cove empty.

The Pacific does not announce itself. It arrives. We waited for the sun to drop behind the rocks and shot the procession through the gap as the light turned the sandstone into gold leaf.

The last block, after the toasts. Lanterns coming on along the terrace. The bride had taken off her shoes an hour earlier. This is the frame she writes us about a year later.
The studio did not just photograph our wedding. They composed it. Vianey read the day like a film, and the team moved through it like one breath.
We accept twelve weddings each year.
Tell us the date, the venue, the shape of the day. The Director replies the same business day with a private proposal and a personal note.
Begin a ConversationCurrently holding 2027 dates by appointment. WhatsApp the Director
The frames between the frames.

The bouquet, set down.

A table, before the guests.

The veil in the last light.

The arch, the ocean behind.

The shoes, the rings, the morning.

Candle, plate, place card.
The questions couples ask most often.
Every wedding is custom and quoted in conversation. The studio does not publish packages — each brief is shaped around your dates, venue, hours, and whether video is added. Final investment varies with scope and travel. Every brief includes a private 4K gallery, unlimited downloads, print rights, and bilingual service.
Yes. Every wedding the studio takes is shot by Vianey Díaz, the Director. The agreement carries a substitution clause: if a force majeure event prevents her from being on the day, the full retainer is returned, in writing, no negotiation.
Rain is part of the beauty of tropical destinations. We scout indoor backups thirty days before your date. Afternoon showers in Mexico are typically twenty to forty minutes, and the most romantic frames often arrive the moment the rain clears and the sky fills with saturated color.
A teaser of fifteen to twenty editorial frames within ten days. The complete edited gallery in three to four weeks. The cinematic film within eight weeks. Each delivery window is written into your agreement.
Eight to fourteen months before your wedding date, especially for peak season (November through April). Popular Saturdays at Rosewood Mayakoba, One & Only Palmilla, Four Seasons Costa Palmas, and Las Ventanas often book twelve to eighteen months out. For cenote ceremonies in Tulum, plan an additional two to three months for permit logistics.
Venue and location specialists
For couples planning around a specific venue or experience, the studio maintains dedicated coverage notes and editorial portfolios per location.
Tap to see ideal months by resort
Each coastline has its hour. Pick the resort closest to your stay — we will recommend the months that hold the light.
